ERN MALLEY - DÜRER: INNSBRUCK, 1495
Let’s take “ Dürer: Innsbruck, 1495 ” and read it as if the hoax didn’t matter—through a lens close to what you’ve been exploring: body, void, echo… and a bit of Bakhtin and post-structuralism underneath. A fragment (for focus) I had often, cowled in the slumbrous heavy air, Closed my inanimate lids to find it real, As I knew it would be, the colorful spires And painted roofs of Innsbruck… 1. The “inanimate lids” — body emptied There’s something immediately off: ◇ “inanimate lids” instead of “eyes” ◇ a body part described as already dead, object-like This is classic Malley (accidental or not): the body appears, but hollowed out. Your themes echo here: ◇ corpo → but depersonalized ◇ vazio → already inside perception It’s not “I see the world”; It’s: something like a body simulates seeing. 2. “to find it real” — reality as afterthought Normally: we see → therefore it’s real. Here: close eyes → then reality appears. This inversion matters. It suggests: ◇ reality is constructed aft...